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Current Grand Piano stock list
We currently have a large selection of instruments in stock. To view details of a particular piano, click the thumbnail image or details link below:
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A rare ‘Compensator Grand’ by this fine maker. Rosewood case and exceptional Empire stand. 6 ½ octaves. 7’10” details.. |
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John Broadwood & Sons, London, 1825 A fine example of an early grand by this important maker. Useful compass of 6 1/2 octaves. Casework in Mahogany with Rosewood crossbanding. details.. |
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A rare early grand by this important maker. In its early life this instrument was used as a concert hire instrument by some well-known musicians of the day. Mahogany casework. 8' details.. |
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One of the last instruments made by the company of the great pianist and composer, Muzio Clementi. details... |
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An exceedingly rare early grand piano by Erard. Felix Mendelssohn had an Erard piano from the same year. details... |
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Rosewood of exceptional colour with double copper inlay. Fine turned and carved legs details... |
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A rare early grand piano from the important instrument making dynasty of Kirkman, which started with the harpsichord makers Jacob and Abraham Kirckman in the 18th Century. .Few early grands by Kirkman survive. Rosewood.Bichord. FF-f4. details... |
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John Broadwood and Sons, London, ca. 1835 A fine example of the 6 octave bichord grands. Rosewood with appliqué carving to case. Reeded legs. 7’6” details... |
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One of the most beautiful Pleyel instruments we have ever seen. Cuban Mahogany with inlaid kingwood banding and brass inlay. ‘Torsaded’ legs. Exceptional details... |
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Kriegelstein et Plantade, Paris, ca. 1840 An intriguing instrument by one of the most innovative early French makers, who worked with both Blanchet and Jean-Henri Pape. They developed a unique repetition action designed to rival Erard. This maker won several Gold Medals at the Paris Exhibitions between 1839-44 and was very highly regarded. details... |
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Moscheles' Erard, London, 1840 A grand piano of exceptional provenance. This instrument belonged the 19th Century pianist and composer Ignaz Moscheles details... |
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A very rare full concert grand by this important maker. Extremely elegant case in plum pudding mahogany with ormolu mounts. CC-g4. 8’ |
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John Broadwood & Sons, London, ca. 1842 A fine 6 octave bichord grand by this great English maker. FF-f4. 7' |
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Boisselot et fils, Marseille, ca. 1847 Wonderful casework veneered in exotic coubaril. French ‘wiggly’ mouldings. Fine ormolu details. Triple music desk. Franz Liszt was a great admirer of this maker and had 4 of his instruments. This is similar to Liszt’s piano which was sent to him in Odessa details... |
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Full concert grand. Believed to be one of the earliest 7 octave instruments. Originally supplied to the French pianist and composer Louis-François-Alfred Lair de Beauvais. Plum pudding Mahogany. 8’ details... |
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A very rare early grand from this famous maker, built in the first few years of their production. SIGNED BY PADEREWSKI, and other important musicians: Francis Planté, Erwin Schulhoff, Georges Pitsch, Annette Essipoff-Leschetizky, Emil Liebling. Rosewood, 7' details... |
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The EARLIEST KNOWN SURVIVING BECHSTEIN PIANO, numbered 124. Rosewood. details... |
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Boisselot et fils, Marseille, ca. 1860 Mahogany with kingwood inlay banding and brass inlay stringing. Fantastic Oriental inspired casework details... |
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Rosewood with brass inlay throughout. Light and elegant example of this very successful model. 7’ details... |
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Burr Walnut grand piano by one of the most inventive piano makers. Patent 'Resonator Grand' with special treble resonator box. Double overstrung to increase bass response. 6'3" details... |
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Spectacular satinwood case highly decorated with painted and gilded inset panels with musical motifs. Carved and gilded cabriole leg stand and matching stool. 6’7” details... |
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Highly decorated Rosewood case with extensive marquetry inlay . Exceptional. Good provenance. Model B , 7' details... |
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Intriguing Art Nouveau grand piano by one of the great French makers. Satinwood with inlay floral marquetry. 6'6" details... |
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An important Arts and Crafts piano with a case designed by C R Ashbee, one of the leading lights of the British Arts and Crafts movement. details... |
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Model V Bechstein with beautiful Empire case. Mahogany with Kingwood cross-banding and fine gilded ormolu mounts. Exceptional quality. 6'7" |
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John Broadwood and Son, London, 1905 A fine ‘barless’ model with a special oak-panelled case, designed by Sir Edwin Lutyens. 5’6” details... |
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Louis XV style case with carved apron skirting and ornately carved cabriole legs. Flame walnut in diamond book-matched pattern. 6’ details... |
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Superb Parquetry veneered case with fine inlaid marquetry floral decoration and elegant stand base. 7’ details... |
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An unusally shaped grand in rare Satinwood with ebony inlay stringing. details... |
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A very handsome instrument in Satinwood, crossbanded and inlaid with ebony in the Sheraton style. Aliquot stringing. 5'7" |
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Gabriel Gaveau, Paris, ca. 1915 Fine example of a ‘Sunburst’ grand. Sunburst veneer pattern on lid with cross-banding edges and beautiful book-matched pattern on case. Indian Rosewood. Dual square-tapered legs. 6’6” details.. |
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Louis XVI style case in mahogany on 6 faceted and inlaid legs with ormolu mounts. Panelled in flame mahogany with ebony diamond inlay pattern set on a boxwood ground. Carved lyre ending in lion’s feet. Refined and elegant design. 7’ |
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Gabriel Gaveau, Paris, ca. 1922 Wonderful painted case decorated in the style of ancient frescoes, with musical motifs, classical figures and floral decoration. 5' details... |
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Mahogany with inset burr elm panels with boxwood and ebony inlay stringing. 6 thin tapered legs inlaid with boxwood and ebony and topped with gilded ormolu mounts. 5’ details... |
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Gabriel Gaveau, Paris, ca 1924 Louis XV style case on cabriole stand. French green painted case decorated with floral swags. 6’6” details... |
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Superb ‘Sunburst’ pattern in striking rosewood veneer. 5’ details... |
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Gabriel Gaveau, Paris, ca. 1926 A truly exceptional and important instrument with extensive marquetry inlay showing musical figures and elaborate motifs. One-of-a-kind.5’ details.. |
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Gabriel Gaveau, Paris, ca.1927 Striking case in the style of an 18th Century harpsichord, gilded foliate painted decoration on a ‘faux’ tortoise-shell background. Sits on a gilded, carved and incised cabriole leg base. 7’6” . details... |
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Louis XIV case with 6 fluted legs. Case veneered
in diamond book-matched satinwood with rosewood cross banding, boxwood
and ebony inlay stringing. 6’ |
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A fabulous Art Deco half-moon grand piano, with star-patterned veneer in figured maple, inlay banding in satinwood and ebony. This is an exceptionally rare model with u-shaped base, much sought-after by Art Deco collectors. Original matching stool. 4'2" |
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Art Deco grand piano with case in figured ash with flame walnut crossbanding along bottom of case and on legs. Pure Art Deco. 5’10” details... |
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Fine Art Deco grand piano in mahogany with maple interior. Beautifully elegant example of Art Deco. 5’ details.. |
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Amazing Art Deco grand piano with case by Rene Prou and Albert Guénot. Exhibited in Paris ‘Salon des Artistes Decorateurs’ in 1930. Macassar Ebony with Sycamore interior. Amazing gilded metal base. Absolutely unique. 6’10” details... |
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Art Deco grand piano with case veneered in striking Macassar Ebony and maple detail to legs and interior. Chromed tubular lyre 4'3" details... |
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Half-moon shape with Art Deco grand piano with stepped legs. Mahogany. 4’2” details... |
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Monington and Weston, London, ca. 1934 An intriguing Art Deco grand piano in rare Hungarian Ash with ebonised detailing and original matching stool. 4'6" details... |
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A very dramatic Art Deco Grand piano in Flame Walnut. Original matching stool. 4'6" details... |
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This piano was originally on the RMS Mauretania. Elegant and simple Art Deco style case with slab legs. Walnut. 6’ details... |
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Art Deco grand piano with case in flame maple and Macassar ebony. Much sought-after half-moon shape case. 4'2". Believed to have originally been on an ocean liner. |
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A fantastic futuristic instrument with an aluminum case. Very rare limited edition. Only 300 were made. details... |
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Another extraordinary design from the Rippen stable, designed by Nico Rippen in 1969. This amazing piano is tilts 90 degrees on its central pedestal, in order to be moved easily and fit in a confined space when not in use. Fantastic Retro case veneered in teak. Very few exist. details... |
